Re-Inventing the Runway

RUNWAY Web3: Re-Inventing the Runway is a new chapter in a series of revolutionary immersive experiences exploring the fashion runway show, the most spectacular looks of the great fashion designers and fashion houses. It is not a documentary from the past shown in the big screens, it is the real-live experience allowing us to embrace the imagination and see the present and the future of fashion.

These unforgettable experiences created by RUNWAY magazine brings together the industry's leading voices from the present, uniting them and leading them to the future. With a rich mixture of media and technology, Re-Inventing the Runway immersive experience reveals how new technology can bring so intimately the ultimate statement of a designer's vision to us, transforming the way we interact with the iconic styles of Chanel, Louis Vuitton, Fendi, Dolce & Gabbana, Valentino, Moncler, Jean Paul Gaultier, Prada, and Versace.

This immersive experience is an exploration of fashion, is a visionary approach to blending this vision with interactive, digital experiences. It is a celebration of the imagination and passion that has revolutionized how we experience fashion at first hand. 

Re-Inventing the Runway is both visceral and insightful, with 3D designed environment, 3D looks, graphics and sound design, all of which will evoke our world of imagination where iconic runways shift the cultural landscape, and where we are creators of it.

Within this immersive experience we can emerge with the imagination of a designer, experiencing the forms as if they were physically present. This feature not only brings the runway to us but also empowers us, as we are no longer passive observers, we are active figures. Re-Inventing the Runway is our environment to explore, dream, and discover, guided by the seamless interface of a truly revolutionary 3D fashion experience.

Screenshot featuring Moncler look created by Pierpaolo Piccioli in 2019

Screenshot featuring Valentino look created by Pierpaolo Piccioli in 2023 “PP Pink” collection

Screenshot featuring Jean Paul Gaultier look 2023-2024 “Haute Jeanerie – Fashion Fiction”

Gamifying Journalism

This innovative Web3 experience gamifies traditional media’s expert journalistic review. It transforms opinion, analyses, observations, photos and texts into a new form of media expression. This is a unique and interactive way to express opinions. Through this experience, Runway Magazine pioneers new storytelling methods.

Incorporating elements of gamification, Re-Inventing the Runway experience educates us about the nuances of fashion design and trends through interactive participation. It’s a bold redefinition of the media's role in the fashion industry, turning passive observation into an engaging journey. This approach allows RUNWAY Magazine to creatively present and transform visuals into an informative and expressive new format.

Re-Inventing the Runway is more than just a digital experience, it is the harbinger of the future of fashion media. By merging editorial content with virtual interaction, RUNWAY continues to lead the way in innovative, immersive journalism.

As we chart new courses in the vast seas of imagination and technology, this experience stands as a testament to the endless possibilities at the intersection of fashion, art, and digital landscapes. This revolutionary approach not only respects but revitalizes the traditional media format, inviting users worldwide to step into the future of fashion and beyond.

Re-Inventing the Runway new chapter in a series of revolutionary immersive experiences by RUNWAY magazine will be released in September 2024. It'll be available on RUNWAY magazine digital at RUNWAYMAGAZINES.com and RUNWAYUNIVERSE.com - dedicated hosting for all Web3 experiences developed by RUNWAY magazine.

RUNWAY Web3 experiences are accessible on all computers, they are also adapted for slow internet connection. All connections to the Web3 environments are private. These experiences are also adapted for mobile devices, installation of an app is required.

Screenshot featuring Valentino look created by Pierpaolo Piccioli in 2023 “PP Pink” collection

Screenshot featuring Jean Paul Gaultier look 2023-2024 “Haute Jeanerie – Fashion Fiction”

Screenshot featuring Jean Paul Gaultier look 2023-2024 “Haute Jeanerie – Fashion Fiction”

Haute Couture 2022 Fashion Week

Haute Couture 2022 Fashion Week. Review by Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE

Haute Couture Spring Summer 2022 fashion week Top News Headlines

• Thierry Mugler died night before Haute Couture fashion week.
• Schiaparelli presented “flat” couture, or “Schip” show of reproduced looks of Pierre Cardin, Thierry Mugler, and Jean Paul Gaultier, claiming that these looks are unique and invented by Daniel Roseberry, creative director. Images of “re-invented” famous looks of Pierre Cardin compared to the new looks of Daniel Roseberry for Schiaparelli flooded social media networks.
• Schiaparelli presented its new collection to PurnHub Producer Kanye West, assumingly that these pieces will soon be used in his production.
• Kanye West came to several fashion shows of menswear and Haute Couture with black pantyhose over head, as a bank robber from 1980s. That made huge laugh all over United States and pinned by Snoop Dogg and Kevin Hart. Apparently Kanye West wanted to match his ex-wife Kim Kardashian look, who was suppose to come for Haute Couture fashion week (cancelled at last moment). She appeared in black outfit made for her by Demna Gvasalia, creative director of Balenciaga, for Met Gala 2021.

Haute Couture Spring Summer 2022 review by RUNWAY MAGAZINE - Top News Headlines - Dior, Chanel, Valentino, Pharrell Williams

Scandal - Kanye West, Kim Kardashian at Paris Fashion Week 2022

• On the occasion of Paris Fashion Week Haute Couture, “On Aura Tout Vu” (“We’ve seen it all”) presented “Haute Couture” sex-toys and showed them at their show “Superheroes”. The brand is entitled to use “Haute Couture” term for its production, as this brand is accepted by Fédération française de la couture (French fashion federation) as Haute couture invited guest and member. Haute Couture brand presented sex-toys as “Haute Couture” accessories to the media and during their show. Federation of Haute Couture didn’t express their opinion, didn’t put any ban on this production and use the “Haute Couture” name for sex-toys. For the last couple of years Federation of Haute Couture accepted as invited guests to present at Haute Couture fashion week the designers who have no connection to production in France, or don’t comply even with one requirement, or don’t have any production at all.
• Federation of Haute Couture accepted Ralph Rucci (American designer) as part of the official calendar of The Federation de la Haute Couture et de la Mode, to present this season…. This designer never had production in France, he didn’t use any French atelier of métier d’art (ateliers of handmade crafts). In fact, this designer presented his old “collection” of drawings he did in 1990-2000s with marks 2022 and photos of his sketches with attached fabrics. The media received press-release and lookbook of drawings called “Ralph Rucci Spring Summer 2022 Haute Couture Collection”. NOTHING has been produced yet – not in France, not anywhere else. The brand invited media and buyers to contact for the appointment. The participation at Haute Couture fashion week has quite a high fee. How desperate Federation of Haute Couture could be to accept this?!!
• Pharrell Williams appeared at the shows wearing a reproduction of extraordinarily rare Mughal spectacles “Halo of Light” or “Gate of Paradise” (XVII century spectacles, named by the owners Mughal Royals, India). Pharrell Williams, who became a new creative director of Tiffany, claimed that this is his original “custom-designed” glasses. Sotheby’s chairman Edward Gibbs told CNN that  “As far as we know, there are no others like them.” Production of exact copy, without mentioning the original, and presentation to public as  Tiffany’s new glasses created another international scandal.

Pharrell Williams reproduction for Tiffany & Co of Mughal spectacles - XVII century spectacles, India

• Chanel announced a new CEO, and the first woman leader Leena Nair. The Haute Couture house announced that Leena Nair, the former Unilever human-resources chief, would assume the role of CEO in January 2022. She’s replacing Alain Wertheimer, Chanel’s co-owner. She was supposed to come to Paris and see the team, see the Chanel Haute Couture show, and meet the media. And to the very surprise of all, she cancelled her presence and didn’t appear at the show, she didn’t meet the designer or the media.
• Chanel after giant controversy with the first edition of Chanel advent calendar 2021 issued in December 2021 ($825 price for the several stickers and freebies available with every purchase at Chanel + 1 perfume, 1 soap and 2 lipsticks) announced just day before Haute Couture fashion week that the prices for the Chanel bags increased to $10 000. It is practically double. This decision for unjustified prices right after pandemic, when economically everybody has weakened, brought another wave of negative public opinion, and will probably give backfire and another boycott from buyers of luxury goods.

Chanel advent calendar 2021 - $825 for 22 stickers and freebies

• Chanel Couture Spring Summer 2022 show started with Charlotte Casiraghi riding horse. Although this collection didn’t have any piece or look which is related to horse-riding. The collection was intended for a new CEO and presented the best pieces of Karl Lagerfeld redesigned by Virginie Viard, creative director of Chanel, for an occasion. Chanel has been pinned for attempting to become an equestrian brand, and a clumsy hit on Hermes fashion house.  Virginie Viard also decided to give a “black eye” to some models without special announcement. Apparently it was done simply to pay some special homage to battered women.
• Unusually “quiet” and dull collection of Christian Dior in black, navy, gray, and brown also surprised the guests and big public. And also the same day Dior released a fabulous book about John Galliano from 1997-2007 with the designs of great designer. This is not just a different time of the Dior house. This is two different worlds – talent and banality. And it looked like two different forces in Dior house ripping it apart. Christian Dior belongs to LVMH luxury group.
• LVMH luxury group announced Louis Vuitton fashion house is not defining itself solely as a fashion house, but as a true “cultural creation company”. The fashion house sells “desire” and “culture” rather than watches or dresses. Louis Vuitton, its flagship, is described as a “cultural brand with a global audience” which also reaches a very large clientele in generation Z. This is a big and quite important step as from this moment on fashion becomes a cultural attribute, which can and should be protected as a cultural heritage. 
• Pierre Cardin,  a fashion house known in the 1960s for the futuristic fashion style, made its relaunch under the new direction of nephew of the designer Rodrigo Basilicati-Cardin. Fabulous show took place at Le Bourget, and the runway was installed under the Space Rocket Ariane 5.

That was a rich fashion week by its news and difference announcements.

And on a personal note: “Fashion” dressed, or more likely ridiculously dressed people, who are hanging around the entrance to the fashion shows, more and more becoming public laughing stock. Add here when they interviewed – they are appallingly stupid, and have no idea about fashion industry, they are here to show themselves, like some sort of rotten “fashion leftover”.

Fashion can be an expression of personal feelings, a statement, and can be considered as an art… but not anymore. When it was started more than 40 years ago it made sense  – fashion became a concept, an attraction, much more than expression of a personal style. Vivienne Westwood is a very good example. Although today it is just ridiculous, and more and more fashion is associated with this ridiculously dressed crowd, less and less public have an interest in fashion. If fashion luxury brands are not intended to change it – the gap between luxury fashion brands and the public will be much larger than it is today, which will lead to massive financial losses.

Already today people don’t follow the fashion shows and new trends dictated by luxury brands, as it was before. Many people don’t even know the names of the luxury brands. As an example, Fendi Haute Couture show this season was watched live only by 4000 people all over the world, youtube and instagram put together. And the number of buyers may not even come to a couple of hundred. That is how little interest the public have today to the massive production of luxury goods and the luxury industry. Something to think about.

Haute Couture Spring Summer 2022 Best of

This Paris Haute Couture fashion week was very rich by the events. The effect was like an earthquake. Shake it, shake it, baby, but not stir! It’s been a long time when everything became some sort of routine for the designers, media and buyers.

But apart from that what about the fashion and style? What actually designers showed for the Spring Summer 2022 season? And what actually can become a trendsetter?

Christian Dior showed the collection in black, navy, gray, and brown. Very simple looks, the “quiet fashion”, as Maria Grazia Chiuri, creative director of Dior, called it. The silhouettes are very simple and casual. See all looks of Dior Couture Spring Summer 2022 HERE.

Dior Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Schiaparelli, as being said, showed a collection of the looks so well chosen and reinvented from Pierre Cardin, Thierry Mugler, and Jean Paul Gaultier, with slight difference that these looks meant for Kanye West and his new adventure and production. Suzy Menkes, known independent fashion expert, called it “Schiap show”. See all looks of Schiaparelli Couture Spring Summer 2022 HERE.

JP Gaultier for Stephanie Faracy - Hocus Pocus 1993 vs Daniel Roseberry for Schiaparelli HC Spring Summer 2022

Lebanese designer Georges Hobeika showed wonderful and very fresh looks. This Spring Summer collection included several very cute long and short cocktails dresses. What I personally like here is that collection is not attached to the one country codes. This dress I can easily see in New York, Paris, or Milan. And I can definitely wear one. See all looks of Georges Hobeika Couture Spring Summer 2022 HERE.

Georges Hobeika Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Chanel for this season finally made a beautiful come back to Karl Lagerfeld looks, this sparkle might light up Chanel once again. This collection has been very criticized by brand lovers for the quality, by experts for absence of the one line of the collection, by influencers and “watchdogs” of fashion for taking on Hermes market. “Black eye” given to some models (with make up of course) didn’t give any comments of public, as it was simply not understood. See all looks of Chanel Couture Spring Summer 2022 HERE.

Chanel Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Carla Bruni fabulously appeared for Didit Couture Spring Summer 2022 advertising campaign. Radiant and graceful, former First Lady of France, former model, lighten up the sky over Haute Couture fashion week this season. See all looks of Carla Bruni for Didit Couture Spring Summer 2022 HERE.

Carla Bruni for Didit Hediprasetyo Couture Spring Summer 2022

Valentino presented its Couture Spring Summer 2022 collection in the form of old fashion presentation/show under flag displayed on the Valentino’s building on Place Vendome, “Anatomy of Couture”. Creative Director Pierpaolo Piccioli brings the world close in a reimagined Salon de Couture: stripped of distraction, and singularly focused on his latest collection. An expression of physicality, a look into infinite shapes with the collection of Valentino “Anatomy of Couture”. I personally find this collection wonderful. Even the looks were not new, many of them are recreated by the designer from previous seasons, but garments were adapted for all shapes and ages. See all looks of Valentino Couture Spring Summer 2022 HERE.

Valentino Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Stephane Rolland Haute Couture Spring Summer 2022 collection is another ode, another poesy. He has such recognizable style. Golden fluid shiluettes, and this time the accent made on the jewelry, giant, absolutely magnificent jewelry. See all looks of Stephane Rolland Couture Spring Summer 2022 HERE.

Stephane Rolland Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Elie Saab Haute Couture Spring Summer 2022. It was another fabulous show. Yes, Elie Saab is a Red Carpet designer. And the gowns he presents every season are created to praise femininity and grace. See all looks of Elie Saab Couture Spring Summer 2022 HERE.

Elie Saab Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Jean Paul Gaultier Haute Couture Spring Summer 2022. Jean Paul Gaultier collection this season presented by designer Glenn Martens from Y/Project. Glenn Martens is Creative Director – Diesel, and his own brand Y/Project. “This is a celebration of Gaultier. I’ve stayed close to the woman Jean Paul created in the past—pure diva goddess beauty,” – said Glenn Martens in his notes. He reinvented the iconic marinière with barely visible constructed lines in his own way. “Jean Master” tried to reach the iconic look of Gaultier by waiving the lines up and down. I personally find it like a great success. See all looks of Jean Paul Gaultier Couture Spring Summer 2022 HERE.

Jean Paul Gaultier Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Franck Sorbier for Haute Couture Spring Summer 2022 created another poesy,  “Ode of Life”. Probably this is the first time Franck Soriber created something very joyful. See all looks of Franck Sorbier Haute Couture Spring Summer 2022 HERE.

Franck Sorbier Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Fendi Couture Spring Summer 2022. The story of this Fendi Haute Couture collection by Kim Jones is a story told by Fendi is a fantasy from past to the future. The historic codes of the city, its marble statues and aesthetic, are explored by creative director of Fendi Kim Jones. I personally find this collection “disoriented”, as if Kim Jones had so little interest to making it, he just used paints, like anybody else, on fluid fabrics, and patch couple of embroideries on the gowns. Collection was presented in France, so let’s give to Marianne, the female allegory of Liberty, a runway. See all looks of Fendi Couture Spring Summer 2022 HERE.

Fendi haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Ziad Nakad Haute Couture Spring Summer 2022. For this Haute Couture collection Ziad Nakad took a woman as a jewel. The choice of models as his muses for this season he came to France, Australia, Georgia, United States, Germany, Netherlands, and Korea. He wanted to dress the women from around the world. This collection is his statement that beauty is universal. See all looks of Ziad Nakad Haute Couture Spring Summer 2022 HERE.

Ziad Nakad Haute Couture Spring Summer 2022 by RUNWAY MAGAZINE

Pierre Cardin “Cosmocorps 3022” show was absolutely amazing finale for this so “disturbed” Haute Couture fashion week. This show was not just a tribute to the pioneer designer of “space” fashion but a magnificent relaunch of the brand, relaunch of the trend started in the 1960s. The Pierre Cardin show 2022 – Cosmocorps 3022 took place at Le Bourget Air and Space Museum, known to the world by its exposition of the plains, space rockets and the exposition of all important innovations and technologies related to space. Thousands of guests were invited to make the voyage from Paris to Le Le Bourget. We passed through the museum, accompanies by the robots, and following the lights, leading us to the Space Rocket Ariane 5, we came to the installed runway. See all looks of Pierre Cardin show 2022 – Cosmocorps 3022 HERE.

Pierre Cardin show 2022 - Cosmocorps 3022 Le Bourget by RUNWAY MAGAZINE

Well…. I love Happy endings. And that was it. Let’s also paraphrase “Pierre Cardin saved more than a day, he saved Haute Couture fashion week”. And we’ll continue Happily Ever After Haute Couture stories from Paris next season.

Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE

Best of Milan Fashion Week Fall 2021-2022

I, Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE and all our team of professionals and experts in support of Milan Fashion Week Digital for Fall Winter 2021-2022 season used an advanced technology and Human Intelligence to bring you LIVE events, collections and reviews. We adapted to new fashion environments by utilizing a combination of different cognitive processes. We actively used the mental actions of quick acquiring knowledge of styles, and understanding through thought, experience, and the senses, based on massive knowledge of the 50 years of the fashion and trends, remembering almost each and every piece, details and technics, analyses and critiques, and proposing different solutions in the trends. These are higher-level functions of the brain and encompass our reviews, perception, and expertise.

So it is safe to say, without celebrating our excellence (reference to some press-releases we received), that designers presented during Milan Fashion Week creative styles, designs and absolutely new eco-responsible technologies. And the colors, lots and lots of colors, from funky to classy looks.

Bobo or Bohemian style presented in Milan is not a peasant trend, so well developed by Dior, or pseudo-intellectual velvet wave from Gucci, but very refine and elegant.

New York and Paris for last several seasons (count 2-3 years) go for black, grey, brown, beige in 50 shades of sheer. All designers produce the same looks, which is almost impossible to identify – flued oversized silhouettes, cut by zippers here and there, with sewed hope for the best.

See all Looks from Milan Fashion Week Fall 2021 by RUNWAY MAGAZINE

The most innovative and creative collections for Fall Winter 2021-2022 season

Alberta Ferretti Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Blumarine Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Dolce Gabbana Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Elisabetta Franchi Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Emilio Pucci Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Emporio Armani Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Fendi Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Giorgio Armani Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Luisa Beccaria Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Missoni Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Moschino Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Salvatore Ferragamo Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Valentino Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Philipp Plein Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Philosophy di Lorenzo Serafini Fall-Winter 2021-2022 Milan by RUNWAY MAGAZINE

Valentino Couture Summer 2021

Valentino Couture Summer 2021. Gold, Venetian masks painted gold, bright colors and overwhelming Romanticism of Pierpaolo Piccioli, creative director of House Valentino, is the whole new story of House Valentino for Summer 2021 season. And let us hope that these bright colors will lighten up our hearts with hope and inspire us for greatness.

“When I first started to work on this show, I had clear in mind what I wanted to see. The essence of couture lays on how the couture is done and most of all by who is done. It lays in the ability of seamstress and tailors to manipulate fabrics and threads through a process that transcend the mere execution. We create together and while we do it the creation itself changes whoever is involved in the making. it’s a mutual exchange in which everything is transformed. Now we are here, ready to show the outcome of our journey. What you see here is the result of months, days and hours of the work of the incredibly talented, gifted, human beings that works in the Valentino Atelier. I can’t think of anything better than a princely residence, in our home, Roma, to reveal the real nobility of their job. I am proud of what we did. I am proud of this team and with them by my side, anything is possible. This is now, this is the future, no gender boundaries, no boundaries at all. This is fashion, this is couture.” – creative director of Maison Valentino Pierpaolo Piccioli.

EVERY LOOK FROM THE VALENTINO COUTURE SUMMER 2021

Valentino Haute Couture Digital Fall 2020

Valentino Haute Couture Digital Fall 2020. Digital show “Of Grace and Light”, the narrative, reinterpreted collection through a digital live performance, direct from Cinecittà Studios in Rome. Review by Eleonora de Gray, Editor-in-Chief of RUNWAY MAGAZINE.

The Live Performance will bring together the human and the digital touch creating a dialogue where neither of them will take the lead. No digital effects can substitute the humanitas. The result will be the expression of the inner values of Couture: creativity, imagination and emotion. Pierpaolo Piccioli dialogue with Nick Knight, founder of SHOWstudio, who supposedly proposes innovative and ground-breaking projects to the big fashion houses.

Although there’s something more to it than meet the eye…. Let’s refresh our fashion memory. Have we seen this somewhere before?.. Perhaps in French film “Peau d’âne” by Jacques Demy. No, it’s not that. Ah, yes, we’ve seen this presentation by Haute couture designer in France (also, as this collection presented as Haute Couture collection of Valentino) Franck Sorbier for Fall Winter 2012-2013 season. Frank Sorbier used 3D projection mapping technology to present his collection: a woman dressed in a large white dress acted as a projection screen for ephemeral patterns. The process was relayed on stage by an Ultrabook which controlled the animation on the dress.

FYI, 3D video mapping is a multimedia technology that makes it possible to project light or videos on volumes, to recreate large images on structures in relief such as buildings. It also makes it possible to recreate universes at 360 °. This technique makes possible to create optical illusions and to disturb the viewer’s perception or even to bring movement into the static dress.

So why would renown Nick Knight, SHOWstudio, La Mode en Images, Liberte Productions, proposed to Pierpaolo Piccioli, great creative director of Valentino, the presentation concept which was already used 8 years ago by another Haute Couture designer Franck Sorbier? Does this Nick Knight needs to pick up the ideas from others to be recognized as “the leading force behind this new medium, offering a unique platform to nurture and encourage fashion” (SHOWstudio About)?.. Checking briefly works of Nick Knight, SHOWstudio, picks from Jean-Paul Goude has been noted…. This is NOT poetic or innovative….

But let’s see the presentation first….. Indeed very beautiful…. Genius of Pierpaolo Piccioli has no boundaries.

Valentino Haute Couture Digital Fall 2020 by RUNWAY MAGAZINE

Valentino Haute Couture Digital Fall 2020 by RUNWAY MAGAZINE

Valentino Haute Couture Digital Fall 2020 by RUNWAY MAGAZINE

Valentino Haute Couture Digital Fall 2020 by RUNWAY MAGAZINE

Valentino Haute Couture Digital Fall 2020 by RUNWAY MAGAZINE

Valentino Haute Couture Digital Fall 2020 by RUNWAY MAGAZINE

See all LOOKS, VIDEOS of Valentino Haute Couture Digital Fall 2020 HERE